Even though we have mentioned our influences throughout our blog. And have mentioned briefly how Rorschach influenced the masks. This section plans to show specif influences and references in our piece to Alan Moore and Dave Gibbon's work. The mixture of shades to show that scenes are taking place in different time zones is strikingly effective. the red shade shows the danger of 'the Comedian's' assassination, the link to blood, and the intensity. The normal lighting in the investigation puts this into contrast, showing the reality of the situation making it More gripping. It also provides contrast, making the murder much more shocking. We've Incorporated this with parallel editing between the psychiatrist scene and the assailants readying themselves. the scenes with the assailants Will have a much darker colour scheme to give this contrast and to emulate that intensity.
These few frames encapsulate everything we wanted from the psychiatrist scene, that anxiety, extreme close ups, close ups, no two shots the same showing how different the two characters are and how they are at conflict. By having the psychiatrist talk more it shows the patient as on the upper foot. It adds a dynamic to the scene which we wish to incorporate with the patient with more knowledge. Again our patient knows about the house whereas the psychiatrist simply can not acknowledge it.
The Ink blot cards are used in the scene, and make effective props and plot devices to push forward the narrative. The first frame of the inkblot in centre is copied in our piece.
Tim McNiven
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